Archive for February, 2009

Letterpressin videos

Friday, February 27th, 2009

Folks, it’s Friday again. Here I am, same place, same time. Tired from the week. Flat tire on my bike, and stormy weather outside. There is a very large Italian birthday dinner happening to my right. Nashville drivers are terrible, and I am tired of going up and down West End Pike. Gotta do it though. Gotta earn my keep. Oh wait…

For a time-based glimpse into what I have been doing 9-5 everyday, please see the following videos. They are brief. And fun!

A very short tour of the workshop:

A demonstration of the back press, a Vandercook Universal III:

“Are you from Tennessee? ‘Cuz you’re the only ten I see”

Honky tonks and cats

Wednesday, February 25th, 2009

Honky tonks.

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And cats.

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This first photograph is Robert’s Western World, and that band is Brazilbilly. That is a very good place. The next photo is Cadillac Ranch, a good place to be if you like brohas (that’s bros to you folks back home), skinny white dude DJing bad hiphop, and middle-aged country folk bumpin and grindin.

That first cat is one of the cats at Hatch. That’s Huey. Huey the Huge, weighing in at 18 pounds. He rolls around, sleeps in cardboard boxes, and he stares lovingly into my eyes because he has fallen in love. Story goes that he falls in love with one male intern every session. Imagine a fat cat trailing behind me as I cross the shop back and forth, staring at me, and suddenly appearing behind me to look up and cry. Good cat. This last photo is Xena. This is Karyn’s cat, at my house. She is a warrior princess, and she watches me take showers from her perch in the bathroom.

Strange day

Monday, February 23rd, 2009

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Saturday, February 21, 2009. It was a very long day, and it rained. I found myself at a flea market in Old Hickory, TN, when the weather turned from pleasantly warm to wet and wind. Something eerie about that whole day. See more lonely doll faces HERE.

Later that night, I found myself in the low light of the bar in the Best Western Hotel on Music Row. Long story short: don’t go to a motel barroom on a Saturday night, when it’s a middle-aged blonde woman’s birthday, there is bad vanilla cake, ain’t nobody there but her friends and family, some guy is on stage talking about all the money he’s made from writing a popular song, and the bartender is on weed and from Ohio. Get the hell out of there.

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Too bad it’s Friday

Friday, February 20th, 2009

Friday. Well, actually I am glad it’s Friday, but too bad that I won’t be into Hatch until Monday. What the hell am I supposed to do all weekend long? OK, there is plenty to do–tomorrow I am going down to the Country Music Hall of Fame (which owns Hatch Show Print) with a friend. I suppose later we will have cheap beers and dance. That’s the name of the game ’round ‘ere.

My last blog post was a little strange, I apologize. I threw out all sorts of jargon that don’t make no sense to all y’all. It’s just that tha’s what I’m livin’ ya know. Let me recap:

Hatch Show Print kicks ass. It is my dream job (that was easy to find…). I am in love with the big ol’ wood letters. The 130-year-old type and cabinets. The thick dust that is probably lining my lungs by now. The weird smell of ink and mineral spirits. The hunt for the correct case of type. The bad ass posters that cover the walls, that are being pumped out fresh everyday. The staff is great–cool people and fantastic designers. Brad Vetter is the guy training us, and he is a lot of fun. He drives me home sometimes. Jim Sherridan is the man who runs the place–what a gentleman. If there ever was a southern man I could aspire to be, it is him. He is all business, and he is all about the people. And he actually cares about this silly tradition we call letterpress printing. Man, did I say that these posters are bad ass? Honestly, I had no idea just how bad ass they were when all I saw were reproductions in books or on the internet. Ain’t nothing. You have to see the real thing–the glossy ink on the thick, smooth paper. The crisp photo plates and the beat-up wood letterforms. I didn’t know letterpress could look so good! The stuff I had done at school was great, but it never had the definition or sheen of Hatch. Well, of course.

This cafe with free wireless internet is closing. Kicking me out. More to come soon.

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I’m woyking heeya

Tuesday, February 17th, 2009

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Second day on the job. Putting up type. That’s what I do, for now. Getting decades old dust on my fingers and feeling fine. Long hours on my feet. Pulling open wrong drawers all over the place. Theys don’t write down what theys set, so you gotta hunt around. Most of the time it’s easy–6 pica gothic no. 2, or 20 pica no. 3. Then there is the Antique wood. And the stuff that ain’t got names nor numbers. Then all the lead type spread all over the shop–but most of the time it is Franklin Condensed or Farmers Condensed or John Hancock. Sometimes you see Tower or Stymie. I want to keep trying that old News Gothic drawer, but it ain’t ever the one. A whole lot furniture to put away–just measure and shelve. 72 pica, presswide. 12 points to a pica. 6 picas to an inch. Those leads are 4.5 picas wide–don’t put the 4 leads in the 5. Remember the dingbat drawers. Star bars go in the star drawer. Sunbursts with the sunbursts. Hell, there’s even a microphone/radio tower drawer. Yesterday, a man came in looking to buy a poster. He said he was a longtime customer. Yeah, that poster near the ceiling–the huge PECO Gas advertisement, printed in red from one woodblock–that was his. Printed in 1940, he was the guy who ordered it. Just another day.

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Object of desire (pt. 2)

Friday, February 13th, 2009

Son of a bitch. I bought that guitar today. And I bought this:

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This beauty was custom built and painted by Mike at Halcyon Bike Shop here in Nashville. These cats are great, and they really know how to build a bike from scratch–collecting vintage parts and creating a high quality product with style. This particular bike was unlike the others in the shop as it has a custom paint job–a sort of decoupage/transparent-layer/spray-paint/colored-grip-tape decorating scheme. The chain is pink. It is like I am riding a giant yellow elephant through the car-ridden streets of Nashville. Not only is the thing bright and gaudy, the fine people of Nashville ain’t seen many bikes on the road to begin with. I have been riding with a guy, John, all over town, and he says this whole bicycle-as-transportation-and/or-fun idea has really only taken off in the last several months. Bike lanes in the city have doubled in the past year or so (could use another doubling, I say). So far, the drivers have been fairly good about bicycles on the road. And when they are stuck in traffic, I zoom past them. The thing rides incredibly smooth and is completely silent–no chain noise, no rattles, no clunks. And yes, it is a fixed-gear.

His name is PAL.

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More photos can be seen HERE.

Object of desire

Thursday, February 12th, 2009

I can’t say that I have just one object of desire here, after visiting a few guitar shops, because the amount of beautiful vintage instruments is astonishing. Of course, the guitars I really want (like this 1928 National tricone resonator) are thousands of dollars, and I cannot afford it, man. Hmm, maybe because I think I am buying a bike tomorrow too… Oops.

So, I found a little gem hidden among those $5000 guitars. It is a circa 1930’s Paramount Style C Archtop. Because it has seen some rough years (i.e. broken head, broken neck) it is only $600. It is in nice operational order now, and it sounds wonderful. The shop guy says it’s stiff, but I say nothing is stiffer than my old Harmony back home. And hell, $600 for a killer 1930’s acoustic that sounds like a soft, woody resonator. Jazz ass good.

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Info from the Cotten Music shop website:
Paramount Style C Archtop (c.30s, Gd) Offered by William Lange Company, and most likely made by Martin. 16″ body; Maple back and sides, Spruce top; F-holes; elevated fingerboard with pearl inlay; nickel art deco style tailpiece; Rosewood adjustable bridge/saddle; tortoise color pickguard; Rosewood peghead overlay with pearl inlay and logo (Paramount C); original nickel machines; repaired headstock break (solid); sounds great; comes with Takamine HSC. $599

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Hatch Show Print

Friday, February 6th, 2009

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Nashville, Tennesse That is Johnny Cash, taken from a classic poster by Hatch.

So, this is where I will be working for two months, starting February 16, 2009. Basically, Hatch Show Print is a letterpress print shop that opened in 1879 in downtown Nashville. It continues to operate, making posters and doing design work for a huge host of music and country culture clients, using type and woodblocks carved over the past centuries and printing on ancient presses. It is a dirty job, but these folks are the best. Their style is all their own.

I will be doing the dirty work, of course, but I will also designing and printing. I will be handling those classic woodblock images, printing restrikes of classic posters. Like this one. I do not really know what to expect though. More details to come.

For now, check out their website at http://countrymusichalloffame.com/site/experience-hatch.aspx